QLD outback film festival gets intrastate surge #CutRedTapeCreateJobs

In Attractions, Australian Cultural Exports, Australian Domestic Tourism, Community, Media and Communications, Momentum, Queensland, Tourism Routes

Winton’s Vision Splendid Outback Film Festival (VSOFF) is 35% up on its best ever year of ticket sales thanks to intrastate tourism.

Film showings in the outback are an under-capitalised tourism resource, with starry skies, mild temperatures and all-but-guaranteed clear weather making them a reliable attraction.

This story has been included in The Tourism News’ #CutRedTapeCreateJobs campaign because the simple act of showing a movie outside is subject to local (council) regulations, as is the service of food and drink. The simplification of that services’ delivery would be a profitable boon to any community of which an outdoor cinema is a part.

The Tourism News, 12th October 2020

Audiences at Winton’s film festival watch the silver screen under the stars in the Royal Open-Air Theatre, which turned 100 in 2018. (ABC Western Queensland: Craig Fitzsimmons)

Winton film festival headed for best year yet as movie buffs flock to ‘Hollywood of the outback’

From abc.net.au 21st September 2020
A young man with a professional camera and a young man holding a red light have a discussion with a young woman at nighttime.
Shannon Maugham brainstorms a scene from Flat Hill with the crew.(ABC Western Queensland: Ellie Grounds)

Few know the meaning of the phrase “the show must go on” more than Vision Splendid Outback Film Festival director Mark Melrose.

The last six months have been rocky, with coronavirus restrictions throwing the fate of this year’s iconic event in the western Queensland town of Winton into uncertainty.

But with a tweak to the schedule and COVID-safe practices in place, the director has called “action” on the nine-day film festival.

“Rollercoaster is probably a bit of an understatement,” Mr Melrose said.

“It’s been extremely challenging to get to this particular point. There was a while there, we [thought we] may not be here.”

A man in a black t-shirt that says 'Vision Splendid Outback Film Festival' stands in front of a candy bar at an open-air cinema.
Mark Melrose said ticket sales for this year’s festival are up 35 per cent on its previous biggest year.(ABC Western Queensland: Craig Fitzsimmons)

But with other iconic outback events like the Birdsville Races and Big Red Bash cancelled this year, Vision Splendid looks set to benefit from audiences who want an escape from the stresses of 2020.

“We’re glad we made the decision to postpone and not cancel,” Mr Melrose said.

“I think the way that sales are going at the moment, we’re justified in making that decision.”

Despite a reduction in maximum audience capacity, the festival has sold 35 per cent more tickets than its previous biggest year.

“I’m chuffed, absolutely chuffed, seeing people experience what we know is something that’s extremely special,” Mr Melrose said.

“To have that experience of sitting here, in the deck chairs, watching the screen, with an open-air theatre, with nothing but the Milky Way above them, it is quite spectacular.”

Tyranny of distance can cause hiccups

Few know the challenge of making movies in Winton better than producer Chris Brown.

He filmed The Proposition in the town, once dubbed “the Hollywood of the outback”, in 2004.

“I lived here for four to five months, right the way through the summer actually, and I think people get some kind of an award for doing that,” Mr Brown joked.

A man in a white shirt, dark glasses and one Apple AirPod in his ear stands in front of a cinema screen in an open-air theatre.
Producer Chris Brown loves making movies in Winton, despite scorching temperatures melting camera equipment during filming.(ABC Western Queensland: Craig Fitzsimmons)

Mr Brown is back this year to screen his hotly anticipated documentary Slim and I, which tells the little-known story of Joy McKean, wife of Australian country music legend Slim Dusty.”Here was a story which was screaming to be told,” he said.

“This is the story about a woman who was the first woman [who] ran a music radio show … won the first Golden Guitar … was one of the founders of the Tamworth [Country Music] Festival … and ran all Slim’s tours.

“Not only that, [she] wrote some of the best songs he ever sang.”

A red and white movie poster with a photo of Slim Dusty and his wife Joy is lit up by a blue spotlight.
Documentary Slim and I is one of the most hotly anticipated films on the festival’s program this year.(ABC Western Queensland: Ellie Grounds)

It was a homecoming of sorts — the first movie ever screened at Winton’s film festival was about Slim Dusty — but an issue with the projector meant the documentary was unable to be shown on opening night.

It was nothing the festival organisers were not used to.

“The tyranny of distance that we face is you can’t run up the road and grab things that you have down in Brisbane,” Mr Melrose said.

“Having to ship all the projection equipment out here, it just makes it very challenging to make sure you get it right, and you don’t have anything to fall back on.”

Emerging filmmakers hope Winton will launch careers

A close-up shot of two hands holding a film clapperboard just before action is called on a film set.
Flat Hill is one of two films students from the Vision Splendid Institute will produce over the course of this year’s festival.(ABC Western Queensland: Craig Fitzsimmons)

While other budding moviemakers may have their eyes on Hollywood, Shannon Maugham thinks Australia’s version of Tinseltown is a better place to launch a career.

“It’s just vast nothingness,” Ms Maugham said.

“There’s so many incredible stories you can make out here because of the landscape, but also the people.

“There [are] endless short films waiting to be found in Winton.”

The young producer and actor has returned to the outback this year with the Vision Splendid Institute, a partnership between the festival and Griffith Film School.

It sees students and alumni shoot a production over the course of the festival for airing on the final night.

Ms Maugham hoped it would bridge the gap between film school and industry.

“I think we’ve seen the same directors, the same producers, the same actors for quite a long time now,” she said.

“Hopefully, through things like this we can start to create new, fresh stories and show that you don’t have to wait 20 years to break into the film industry.”

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